A philosophy of simplicity in forms and materials exalts the integrity of this sacred space, designed in response to Vatican II doctrine. Devoid of excess ornamentation, the sanctuary’s central focus is the gathering experience. Honest expression of the materials and structure further emphasizes the spiritual nature of the space.
Baton Rouge, Louisiana
Trey Trahan, Richard Simonton
Father Donald Blanchard, Schrenk & Peterson Consulting Engineers, Associated Design Group, Inc., Donald Kaufman, Marchita Mauck Ph.D., Max Demoss
National AIA, Honor Award for Interior Architecture, 2002
AIA Gulf States Region, Honor Award, 2002
AIA Louisiana, Honor Award, 1999
Faith & Form, IFRAA Religious Architecture Design Award, 2002
St. Jean Vianney makes a strong architectural statement from the exterior, and the architect carried the design idea through to the interior in every detail. It is one of the most well-wrought churches, consistent from outside to inside, including issues of form and the use of light and detail.
Throughout his career, DeMoss’s work has echoed his early affinity for the Classical aesthetic. Often using the fragmented form, DeMoss’ subject matter ranges from the figure to Biblical allegory, from abstract to narrative. For St. Jean Vianney Church, DeMoss created bronze elements that are highly personal and site specific. The doors that grace the entry way are created from objects parishioners pressed into the form work on site. As the doors age they have become a living time capsule marking the spiritual threshold.