The Betty and Edward Marcus Sculpture Park at Laguna Gloria – Arrival Garden and Moody Pavilions

The new welcome pavilions enhance the entrance experience into the sculpture garden beyond, where visitors discover works of art framed by the vibrant natural landscape.

As the first phase of a much larger and broader Master Plan, the new Arrival Garden with its Moody Pavilions establishes a new public face for the institution and clarifies a dedicated pedestrian entry from West 35th Street just south of the historic gate.

Here, architecture and landscape are conceived as an integrated and unified experience. A series of vertical steel planes and steel and glass pavilions draw visitors into the park through a sequence of shady outdoor spaces. The composition of structures, walls, and gardens are organized along a central walk covered by shade canopies. Concrete site walls, stonedust paving, and lush plantings further enclose two outdoor courts for patrons to gather and linger while taking in views of the property’s mature live oak canopy, 100-year old Italianate villa, and compelling works of art.


Austin, Texas

18 Acres – Site Area
7,250 SF – Project Area

Completed 2019

Project Team
Trey Trahan, Leigh Breslau, Brad McWhirter, Conner Bryan, Shelby Downs, Sarah Cancienne, Drew Hutcheson, Robbie Eleazer

Reed Hilderbrand, Benz Resource Group, Urban Design Group, Spectrum Design Consultants, DLB Associates, The Beck Group, Lumen Studio, Lady Bird Johnson Wildflower Center, Pentagram, Leonid Furmansky Photography


International Architecture Award, The Chicago Athenaeum, 2020
AIA Louisiana, Merit Award, 2019
AIA Louisiana, Member’s Choice Award, 2019
Award of Excellence for Analysis and Planning, Boston Society of Landscape Architects, 2017

Master Planning , Featured , Cultural , Hospitality , Artistry , Materiality , Openness

The Pavilions house a welcome center, an outdoor cafe, and a museum retail shop — amenities that never existed on site before. A modern material palette of weathered steel, plate glass, and concrete is carefully detailed and scaled to defer to the site’s landscape and existing historic structures.

“Art doesn’t have to be only shown inside a white box… we can be a museum without walls.”

-Louis Grachos, Executive Director & CEO, The Austin Contemporary

next project

Coca-Cola Stage at the Alliance Theatre


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